🗓️SCHEDULE

Mandatory Rehearsals:

Sun 9/14/2025 – 6:30p–10:00p

Mon 9/15/2025 – 6:30p–10:00p

Tue 9/16/2025 – 6:30p–10:00p

Wed 9/17/2025 – 6:30p–10:00p

Thu 9/18/2025 – 6:30p–10:00p

Sun 9/21/2025 – 6:30p–10:00p

Mon 9/22/2025 – 6:30p–10:00p

Tue 9/23/2025 – 6:30p–10:00p

Wed 9/24/2025 – 6:30p–10:00p

Thu 9/25/2025 – 6:30p–10:00p

Sun 9/28/2025 – 6:00p–10:00p

Mon 9/29/2025 – 6:00p–10:00p

Tue 9/30/2025 – 6:00p–10:00p

Wed 10/1/2025 – 6:00p–10:00p

Thu 10/2/2025 – 6:00p–10:00p

Sun 10/5/2025 – 6:00p–10:00p

Mon 10/6/2025 – 6:00p–10:00p

Tue 10/7/2025 – 6:00p–10:00p

Wed 10/8/2025 – 6:00p–10:00p

Thu 10/9/2025 – 6:00p–10:00p

Performance Schedule:

Fri 10/10 – Call 6:00p / Show 7:30p

Sat 10/11 – Call 6:00p / Show 7:30p

Sun 10/12 – Call 12:30p / Show 2:00p

Fri 10/17 – Call 6:00p / Show 7:30p

Sat 10/18 – Call 6:00p / Show 7:30p

Sun 10/19 – Call 12:30p / Show 2:00p

Fri 10/24 – Call 6:00p / Show 7:30p

Sat 10/25 – Call 6:00p / Show 7:30p

Sun 10/26 – Call 12:30p / Show 2:00p

Fri 10/31 – Call 6:00p / Show 7:30p

Sat 11/1 – Call 6:00p / Show 7:30p

Sun 11/2 – Call 12:30p / Show 2:00p

Synopsis:

Based on the iconic 1985 Paramount movie and inspired by the classic Hasbro board game, Clue: On Stage is a fast-paced farce filled with mystery, murder, and madcap mayhem. The story unfolds on a dark and stormy night at Boddy Manor, where six eccentric guests are invited to a mysterious dinner party. When their enigmatic host, Mr. Boddy, turns up dead, they must work together—while also suspecting one another—to uncover the murderer before the body count rises. With zany twists, rapid-fire dialogue, and a hilarious mix of slapstick and suspense, Clue: On Stage is a thrilling whodunit that keeps audiences laughing and guessing until the final reveal.

​

CHARACTER DESCRIPTIONS

Leads:

• Wadsworth (30s–50s, any gender) – The fast-talking, eccentric butler of Boddy Manor. Charismatic, theatrical, and secretly layered. Must have excellent comedic timing and physicality.

• Miss Scarlet (20s–40s, female-presenting) – A cunning, glamorous D.C. madam with a sharp tongue and mysterious past. Cool under pressure—until she’s not.

• Mrs. Peacock (40s–60s, female-presenting) – The high-strung, talkative wife of a senator. Nervous, dramatic, and prone to hysteria. Thinks she’s hiding secrets—poorly.

• Mrs. White (30s–50s, female-presenting) – A sarcastic, dark widow with a flair for the morbid. Delivers deadpan one-liners with precision.

• Colonel Mustard (40s–60s, male-presenting) – A blustering, clueless military man. Big energy, small brain. Often unintentionally hilarious.

• Professor Plum (30s–50s, male-presenting) – A smug, intellectual type with a questionable past. Charming, if a bit slimy.

• Mr. Green (20s–40s, male-presenting) – A jittery, awkward man hiding more than just nerves. Physically expressive and comically anxious.

Supporting:

• Yvette (20s–40s, female-presenting) – The flirtatious and dramatic French maid. She’s more than just eye candy—Yvette may be playing her own game. Requires strong comedic instincts and a faux-French accent.

• Ensemble Women (30s–50s, female-presenting):

  • ​The Cook – Gruff and imposing, doesn’t trust any of these weird guests.

  • The Motorist – An unsuspecting, mild-mannered man who knocks on the wrong door.

  • Auxiliary Scarlet – A Scarlet double, seen from behind in a farcical reenactment.

  • Auxiliary Wadsworth – One of several Wadsworths during a chaotic montage.

  • An FBI Agent – Sharp, no-nonsense, arrives to break open the case.

• Ensemble Men (30s–60s, male-presenting): 

  • Mr. Boddy – A shady, mobster-like host whose secrets get him killed (early and often).

  • The Cop – A regular Joe officer trying to make sense of the madness.

  • Auxiliary Mustard – A Colonel Mustard body double in a theatrical reenactment.

  • Auxiliary Wadsworth – One of several Wadsworths in a rapid-fire flashback.

  • An FBI Agent – Appears in the final reveal to crack the case wide open.

🗓️SCHEDULE

Mandatory Rehearsals:

Sun 12/14/2025 – 6:30p–10:00p

Mon 12/15/2025 – 6:30p–10:00p

Tue 12/16/2025 – 6:30p–10:00p

Wed 12/17/2025 – 6:30p–10:00p

Sun 12/21/2025 – 6:30p–10:00p

Mon 12/22/2025 – 6:30p–10:00p

Tue 12/23/2025 – 6:30p–10:00p

Sun 12/28/2025 – 6:30p–10:00p

Mon 12/29/2025 – 6:30p–10:00p

Tue 12/30/2025 – 6:30p–10:00p

Sun 1/4/2026 – 6:30p–10:00p

Mon 1/5/2026 – 6:30p–10:00p

Tue 1/6/2026 – 6:30p–10:00p

Wed 1/7/2026 – 6:30p–10:00p

Thu 1/8/2026 – 6:30p–10:00p

Sun 1/11/2026 – 6:30p–10:00p

Mon 1/12/2026 – 6:00p–10:00p

Tue 1/13/2026 – 6:00p–10:00p

Wed 1/14/2026 – 6:00p–10:00p

Thu 1/15/2026 – 6:00p–10:00p

Sun 1/18/2026 – 6:00p–10:00p

Mon 1/19/2026 – 6:00p–10:00p

Tue 1/20/2026 – 6:00p–10:00p

Wed 1/21/2026 – 6:00p–10:00p

Thu 1/22/2026 – 6:00p–10:00p

Performance Schedule

Fri 1/23 – Call 6:00p / Show 7:30p

Sat 1/24 – Call 6:00p / Show 7:30p

Sun 1/25 – Call 12:30p / Show 2:00p

Fri 1/30 – Call 6:00p / Show 7:30p

Sat 1/31 – Call 6:00p / Show 7:30p

Sun 2/1 – Call 12:30p / Show 2:00p

Thu 2/5 – Call 6:00p / Show 7:30p

Fri 2/6 – Call 6:00p / Show 7:30p

Sat 2/7 – Call 6:00p / Show 7:30p

Thu 2/12 – Call 6:00p / Show 7:30p

Fri 2/13 – Call 6:00p / Show 7:30p

Sat 2/14 – Call 6:00p / Show 7:30p

Sun 2/15 – Call 12:30p / Show 2:00p

Synopsis:

A vibrant musical set in a tight-knit Latinx community in Washington Heights, NYC. Centering on Usnavi, a bodega owner with dreams of returning to the Dominican Republic, the show explores identity, love, family, and belonging through hip-hop, salsa, and Latin rhythms.

​

CHARACTER DESCRIPTIONS

Leads:

• Usnavi de la Vega (Male-presenting, 20s–30s) – Narrator and bodega owner. Charming, witty, loyal, and awkward. Tenor/Rap (C3–A4), strong movement.

• Nina Rosario (Female-presenting, 18–25) – First in her family to attend college. Smart, driven, and struggling with pressure. Soprano with belt (F3–F5), light movement.

• Benny (Male-presenting, 20s) – Works for Nina’s family. Ambitious and romantic. Tenor (C3–A4), strong movement.

• Vanessa (Female-presenting, 20s) – Works at the salon, dreams of leaving the Heights. Mezzo-Soprano (F3–E5), strong dancer.

Supporting:​

• Abuela Claudia (Female-presenting, 50s–70s) – Matriarch of the community. Raised Usnavi. Wise and nurturing. Mezzo (F#3–C5), minimal dance.

• Kevin Rosario (Male-presenting, 40s–60s) – Nina’s father, owns car service, very traditional. Baritone (B2–E4), minimal dance.

• Camila Rosario (Female-presenting, 40s–60s) – Nina’s strong, grounded mother. Alto (G3–B4), minimal dance.

• Daniela (Female-presenting, 30s–40s) – Salon owner. Sassy, vibrant, and full of flair. Alto/Mezzo (G3–C5), strong dancer.

• Carla (Female-presenting, 20s–30s) – Daniela’s assistant. Bubbly and funny. Mezzo (F3–D5), comedic dancer.

• Sonny (Male-presenting, late teens–early 20s) – Usnavi’s cousin. Witty, sarcastic, politically aware. Tenor/Rap (C3–A4), strong movement.

• Piragüero (Piragua Guy) (Male-presenting, 30s–50s) – Shaved ice vendor. Cheerful and nostalgic. Tenor (D3–A4), light movement.

• Ensemble Roles:

• Graffiti Pete (Male-presenting, late teens–20s) – Street artist. Excellent hip-hop dancer.

• Mr. Softee Driver (Male-presenting, 30s–50s) – Rival to Piragua Guy.

• Barrio Residents (All genders, teens–60s) – Strong singers and dancers for Latin, hip-hop, and contemporary movement. Multiple featured moments. 

🗓️SCHEDULE

Mandatory Rehearsals:

Sun 3/15/2026 – 6:30p–10:00p

Mon 3/16/2026 – 6:30p–10:00p

Tue 3/17/2026 – 6:30p–10:00p

Wed 3/18/2026 – 6:30p–10:00p

Thu 3/19/2026 – 6:30p–10:00p

Sun 3/22/2026 – 6:30p–10:00p

Mon 3/23/2026 – 6:30p–10:00p

Tue 3/24/2026 – 6:30p–10:00p

Wed 3/25/2026 – 6:30p–10:00p

Thu 3/26/2026 – 6:30p–10:00p

Sun 3/29/2026 – 6:30p–10:00p

Mon 3/30/2026 – 6:00p–10:00p

Tue 3/31/2026 – 6:00p–10:00p

Wed 4/1/2026 – 6:00p–10:00p

Thu 4/2/2026 – 6:00p–10:00p

Sun 4/5/2026 – 6:00p–10:00p

Mon 4/6/2026 – 6:00p–10:00p

Tue 4/7/2026 – 6:00p–10:00p

Wed 4/8/2026 – 6:00p–10:00p

Thu 4/9/2026 – 6:00p–10:00p

Performance Schedule

Fri 4/10 – Call 6:00p / Show 7:30p

Sat 4/11 – Call 12:30p / Show 2:00p

Sat 4/11 – Call 6:00p / Show 7:30p

Sun 4/12 – Call 12:30p / Show 2:00p

Thu 4/16 – Call 6:00p / Show 7:30p

Fri 4/17 – Call 6:00p / Show 7:30p

Sat 4/18 – Call 12:30p / Show 2:00p

Sat 4/18 – Call 6:00p / Show 7:30p

Sun 4/19 – Call 12:30p / Show 2:00p

Thu 4/23 – Call 6:00p / Show 7:30p

Fri 4/24 – Call 6:00p / Show 7:30p

Sat 4/25 – Call 12:30p / Show 2:00p

Sat 4/25 – Call 6:00p / Show 7:30p

Sun 4/26 – Call 12:30p / Show 2:00p

Special School Performances

Tue 4/14 – Call 9:30a / Show 11:00a

Wed 4/15 – Call 9:30a / Show 11:00a

​

Synopsis:

Arthur Miller’s The Crucible is a gripping drama set during the Salem Witch Trials of 1692, exploring mass hysteria, power, and morality. The play follows John Proctor, a respected but flawed farmer, who becomes entangled in the town’s paranoia when a group of young girls, led by the cunning Abigail Williams, falsely accuse others of witchcraft to protect themselves. As the trials spiral out of control, fear and suspicion consume Salem, leading to wrongful imprisonments and executions.

As Proctor struggles with his own guilt and integrity, he is faced with a harrowing choice—confess to a lie to save his life or stand by the truth and face the gallows. A powerful allegory for McCarthy-era persecution, The Crucible remains a timeless exploration of the dangers of fanaticism and the cost of personal conscience.

​

CHARACTER DESCRIPTIONS

Leads:

• John Proctor (30s–50s, male-presenting) – A strong-willed and principled farmer, struggling with past sins and his moral compass. Torn between self-preservation and doing what is right, he ultimately seeks redemption.

• Abigail Williams (CAST) – Reverend Parris’s manipulative niece. Clever, vengeful, and dangerously charismatic, she fuels the hysteria with her false accusations to eliminate rivals and reclaim Proctor’s love.

• Elizabeth Proctor (30s–50s, female-presenting) – John Proctor’s wife. Virtuous, reserved, and deeply wounded by her husband’s past infidelity. A woman of quiet strength who refuses to compromise her integrity.

• Reverend John Hale (30s–50s, male-presenting) – A scholarly minister initially convinced of the presence of witchcraft but later horrified by the corruption and injustice of the trials. His transformation drives much of the play’s moral conflict.

Supporting:

• Reverend Parris (40s–60s, male-presenting) – The self-serving minister of Salem. More concerned with his reputation than the truth.

• Mary Warren (18–20s, female-presenting) – The Proctors’ servant and one of Abigail’s followers. Easily manipulated, torn between fear and guilt.

• Judge Danforth (50s–70s, male-presenting) – The stern, authoritative deputy governor presiding over the trials. Believes in the court’s righteousness and refuses to admit fault.

• Tituba (30s–50s, female-presenting, Black or Indigenous) – Parris’s enslaved servant from Barbados. First accused of witchcraft and coerced into confessing.

• Giles Corey (60s+, male-presenting) – An old, stubborn farmer who challenges the court, ultimately paying the price for his defiance.

• Rebecca Nurse (60s+, female-presenting) – A wise, gentle, and pious woman accused of witchcraft despite her sterling reputation.

• Thomas Putnam (40s–60s, male-presenting) – A wealthy, greedy landowner who uses the trials for personal gain.

• Ann Putnam (40s–60s, female-presenting) – Grieving and bitter, she believes her many miscarriages were caused by witchcraft.

• Francis Nurse (60s+, male-presenting) – A respected farmer and husband of Rebecca, who tries to stand up against the hysteria.

• Ezekiel Cheever (30s–50s, male-presenting) – The court clerk, dutifully arresting accused witches without question.

• Marshal Herrick (30s–50s, male-presenting) – A conflicted court officer who follows orders despite his moral doubts.

• Susanna Walcott & Mercy Lewis (teens–20s, female-presenting) – Abigail’s followers who assist in the false accusations.

• Ensemble Roles (Various Ages, Any Gender):

• Villagers – Townspeople attending trials, adding to the mob mentality.

• Officials & Guards – Assist in the legal proceedings and arrests.

🗓️ SCHEDULE

Mandatory Rehearsals:

Sun 10/5/2025 – 6:30p–10:00p

Mon 10/6/2025 – 6:30p–10:00p

Tue 10/7/2025 – 6:30p–10:00p

Wed 10/8/2025 – 6:30p–10:00p

Thu 10/9/2025 – 6:30p–10:00p

Sun 10/12/2025 – 6:30p–10:00p

Mon 10/13/2025 – 6:30p–10:00p

Tue 10/14/2025 – 6:30p–10:00p

Wed 10/15/2025 – 6:30p–10:00p

Thu 10/16/2025 – 6:30p–10:00p

Sun 10/19/2025 – 6:30p–10:00p

Mon 10/20/2025 – 6:30p–10:00p

Tue 10/21/2025 – 6:30p–10:00p

Wed 10/22/2025 – 6:30p–10:00p

Thu 10/23/2025 – 6:30p–10:00p

Sun 10/26/2025 – 6:00p–10:00p

Mon 10/27/2025 – 6:00p–10:00p

Tue 10/28/2025 – 6:00p–10:00p

Wed 10/29/2025 – 6:00p–10:00p

Thu 10/30/2025 – 6:00p–10:00p

Sun 11/2/2025 – 6:00p–10:00p

Mon 11/3/2025 – 6:00p–10:00p

Tue 11/4/2025 – 6:00p–10:00p

Wed 11/5/2025 – 6:00p–10:00p

Thu 11/6/2025 – 6:00p–10:00p

Performance Schedule

Fri 11/7 – Call 6:00p / Show 7:30p

Sat 11/8 – Call 6:00p / Show 7:30p

Sun 11/9 – Call 12:30p / Show 2:00p

Thu 11/13 – Call 6:00p / Show 7:30p

Fri 11/14 – Call 6:00p / Show 7:30p

Sat 11/15 – Call 6:00p / Show 7:30p

Sun 11/16 – Call 12:30p / Show 2:00p

Thu 11/20 – Call 6:00p / Show 7:30p

Fri 11/21 – Call 6:00p / Show 7:30p

Sat 11/22 – Call 6:00p / Show 7:30p

Sun 11/23 – Call 12:30p / Show 2:00p

Fri 11/28 – Call 6:00p / Show 7:30p

Sat 11/29 – Call 6:00p / Show 7:30p

Sun 11/30 – Call 12:30p / Show 2:00p

Synopsis:

9 to 5: The Musical is a high-energy, hilarious tale of friendship, empowerment, and corporate revenge. Set in the late 1970s, it follows three female office workers—Violet, Judy, and Doralee—as they navigate the daily grind under their sexist, egotistical, lying, hypocritical boss, Franklin Hart Jr. After a series of comedic mishaps and fantasies of revenge, the women take matters into their own hands. Chaos, hilarity, and a radical office makeover ensue as they prove that girls really do run the world—or at least the office.

​

CHARACTER DESCRIPTIONS: 

Leads:

• Violet Newstead (Female-presenting, 40s–50s) – Smart, no-nonsense office manager. Strong-willed and experienced, she’s the glue holding the office together. A single mother trying to break the glass ceiling. Mezzo-Soprano (G3–D5), moderate movement.

• Doralee Rhodes (Female-presenting, 20s–30s) – Busty, blonde, country gal with a Dolly Parton flair. Sweet and sassy, underestimated because of her looks. Quick-witted and loyal. Mezzo-Soprano with belt (G3–E5), moderate movement.

• Judy Bernly (Female-presenting, 30s–40s) – Newly single and re-entering the workforce. Timid and insecure but grows into an independent, confident woman. Mezzo-Soprano with strong belt (Ab3–F5), light movement.

• Franklin Hart Jr. (Male-presenting, 40s–50s) – The boss from hell. Sexist, egotistical, pompous. Over-the-top comedic villain with strong timing. Baritone (C3–F4), light movement.

Supporting:

• Roz Keith (Female-presenting, 30s–50s) – Hart’s nosy and obsessive assistant. Comedic, repressed, and hilarious. Mezzo-Soprano (C3–C5), light movement.

• Joe (Male-presenting, 20s–30s) – Junior accountant and Violet’s love interest. Supportive and earnest. Tenor (B2–G4), light movement.

• Missy Hart (Female-presenting, 40s–50s) – Hart’s elegant but oblivious wife. Ensemble vocal, light dance.

• Dwayne Rhodes (Male-presenting, 30s–40s) – Doralee’s loving and supportive husband. Ensemble vocal, light dance.

• Maria Delgado (Female-presenting, 20s–30s) – Fired unfairly by Hart; sparks rebellion. Ensemble vocal, moderate dance.

• Kathy (Female-presenting, 20s–50s) – Office gossip; fun and energetic. Ensemble vocal, moderate dance.

• Margaret (Female-presenting, 40s–60s) – Drunken and funny office worker. Ensemble vocal, light movement.

• Featured / Ensemble Roles:

• Tinsworthy (Male-presenting, 50s–60s) – The big boss from corporate. Kind and old-school. Spoken role.

• Detective / Cop / Doctor / Candy Striper (Any gender, 20s–50s) – Comedic featured roles; quick changes required. Ensemble vocal, light movement.

• Dick Bernly (Male-presenting, 40s–50s) – Judy’s cheating ex-husband. Ensemble vocal.

• New Employee (Any gender, 20s–30s) – Fresh-faced and used for transitions. Ensemble vocal, light dance.

• Full Ensemble (All genders, 20s–60s) – Vocal Range: Soprano, Alto, Tenor, Baritone. Moderate to strong dance. Includes secretaries, executives, janitorial staff, guests, and more. Most play 2–3 roles.

🗓️ SCHEDULE

Mandatory Rehearsals:

Sun 1/18/2026 – 6:30p–10:00p

Mon 1/19/2026 – 6:30p–10:00p

Tue 1/20/2026 – 6:30p–10:00p

Wed 1/21/2026 – 6:30p–10:00p

Thu 1/22/2026 – 6:30p–10:00p

Sun 1/25/2026 – 6:30p–10:00p

Mon 1/26/2026 – 6:30p–10:00p

Tue 1/27/2026 – 6:30p–10:00p

Wed 1/28/2026 – 6:30p–10:00p

Thu 1/29/2026 – 6:30p–10:00p

Sun 2/1/2026 – 6:30p–10:00p

Mon 2/2/2026 – 6:00p–10:00p

Tue 2/3/2026 – 6:00p–10:00p

Wed 2/4/2026 – 6:00p–10:00p

Thu 2/5/2026 – 6:00p–10:00p

Sun 2/8/2026 – 6:00p–10:00p

Mon 2/9/2026 – 6:00p–10:00p

Tue 2/10/2026 – 6:00p–10:00p

Wed 2/11/2026 – 6:00p–10:00p

Thu 2/12/2026 – 6:00p–10:00p

Fri 2/13/2026 – 6:00p–10:00p

Performance Schedule

Sat 2/14 – Call 12:30p / Show 2:00p

Sun 2/15 – Call 6:00p / Show 7:30p

Thu 2/19 – Call 6:00p / Show 7:30p

Fri 2/20 – Call 6:00p / Show 7:30p

Sat 2/21 – Call 12:30p / Show 2:00p

Sat 2/21 – Call 6:00p / Show 7:30p

Sun 2/22 – Call 12:30p / Show 2:00p

Thu 2/26 – Call 6:00p / Show 7:30p

Fri 2/27 – Call 6:00p / Show 7:30p

Sat 2/28 – Call 12:30p / Show 2:00p

Sat 2/28 – Call 6:00p / Show 7:30p

Sun 3/1 – Call 12:30p / Show 2:00p

Sat 3/7 – Call 12:30p / Show 2:00p

Sun 3/8 – Call 6:00p / Show 7:30p

Synopsis:

Benjamin Braddock has just graduated from college, full of potential and paralyzed by uncertainty. Adrift in a world of high expectations and middle-class comforts, Ben’s life takes a scandalous turn when he’s seduced by Mrs. Robinson, the elegant and much older wife of his father’s business partner. But complications intensify when Ben unexpectedly falls in love with her daughter, Elaine.

Set in the 1960s but still crackling with themes of alienation, rebellion, and the search for identity, The Graduate is a darkly comedic and provocative coming-of-age story. With sharp dialogue, intense emotional turns, and iconic moments from the source material, the play explores the confusion of youth, the hypocrisy of adulthood, and the dangerous thrill of stepping off the expected path.

​

CHARACTER DESCRIPTIONS

Leads:

• Benjamin Braddock (early 20s, male-presenting) – Recently graduated from college and struggling to find direction. Intelligent, awkward, and increasingly disillusioned with the life planned for him. Vulnerable yet impulsively bold.

• Mrs. Robinson (40s–50s, female-presenting) – Sophisticated, bored, and bitter. She seduces Benjamin not out of passion but as a way to escape her own stagnant existence. Sharp, icy, and emotionally guarded.

• Elaine Robinson (early 20s, female-presenting) – Mrs. Robinson’s daughter. Bright, warm, and idealistic. Her genuine kindness and curiosity stand in contrast to the jaded adults around her. She becomes Benjamin’s hope for redemption.

Supporting:

• Mr. Braddock (40s–50s, male-presenting) – Benjamin’s father. Upbeat and proud of his son, but deeply invested in appearances. Represents the generation of tradition and status.

• Mrs. Braddock (40s–50s, female-presenting) – Benjamin’s mother. Gracious and conventional, but largely unaware of the deeper issues troubling her son.

• Mr. Robinson (40s–50s, male-presenting) – Mrs. Robinson’s husband and Elaine’s father. A successful businessman and family friend of the Braddocks. Clueless about his wife’s unhappiness and Ben’s betrayal—until it’s too late.

• Ensemble Roles (Various Ages, Any Gender):

• Multiple minor characters often doubled by the ensemble, including:

• Hotel Clerks

• Stripper

• Priest

• Students / Bar Patrons

• Wedding Guests

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